Representation, Identity and Religion of Muslim Women in Indonesian Fiction
A study that discusses the construction of gender and Islamic identities in literary writing by four prominent Indonesian Muslim women writers: Titis Basino P I, Ratna Indraswari Ibrahim, Abidah El Kalieqy and Helvy Tiana Rosa.
Representation, Identity and Religion of Muslim Women in Indonesian Fiction
Diah Ariani Arimbi. Larif-Beatrix, A. 'Islamic Reform, Muslim Law and the Shari'a
State'. Shari'a Law and the Modern Muslim State, Norani Othman (ed.), Sisters in Islam, Kuala Lumpur, 1994, pp. 27- 32. Liddle, R.W. 'Media Dakwah Scripturalism
: One Form of Islamic Political Thought and Action in New Order Indonesia'.
Toward a ... Signs: Journal of Women in Culture and Society, 1998, vol. 23, no. 2,
pp.
Door de hieruit voortvloeiende en geruststellende zekerheid dat wij onze winkel
goed op orde hebben, werd de interactie tussen onze anesthesiologische
verrichtingen en chirurgische complicaties lange tijd over het hoofd gezien. Maar
hoe ...
Since 2001, the international network Active Learning in Engineering education (ALE) organized a series of international workshops on innovation of engineering education. The papers in this book are selected to reflect the state of the art, based on contributions to the 2005 ALE workshop in Holland. This overview of experiences in research and practice aims to be a source of inspiration for engineering educators.
This paper presents two cases where the researchers are trying to identify what is
happening in active learning in engineering courses that uses PBL. One from the
third semester of the chemical engineering curricula: IQ-00831 Material ...
Until now dress has played only a subordinate role in the research of Rembrandt’s paintings, despite the fact that few artists are as intensively studied as this Dutch master. The lacuna is all the more surprising since Rembrandt obviously delighted in rendering clothes, which, for him, not only communicated the character and social status of his sitters but also clarified his narratives and heightened the drama in his historical pieces. Here, Marieke de Winkel offers a fascinating and much-needed study of dress and costume in the works of Rembrandt. De Winkel shows us how focusing on apparel opens a new line of inquiry into Rembrandt’s paintings, one which is symbolically and iconographically richer than previously imagined. This approach, which has not been fully acknowledged by art historians nor developed by dress historians, deepens our understanding of Rembrandt’s expression as well as the cultural and historical context of the Dutch seventeenth century. De Winkel proves the merits of the approach here with her close readings of Rembrandt’s paintings and the contemporaneous connotations of the clothes he depicted. She demonstrates convincingly that clothes do much more than help date the paintings; they are instead integral to the program of representation. No longer ancillary to art history, dress and costume here receive their full due in this study, leaving us with not only a better understanding of Rembrandt but of his wider world as well.
