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Modernism, Media, and Propaganda

British Narrative from 1900 to 1945

Though often defined as having opposite aims, means, and effects, modernism and modern propaganda developed at the same time and influenced each other in surprising ways. The professional propagandist emerged as one kind of information specialist, the modernist writer as another. Britain was particularly important to this double history. By secretly hiring well-known writers and intellectuals to write for the government and by exploiting their control of new global information systems, the British in World War I invented a new template for the manipulation of information that remains with us to this day. Making a persuasive case for the importance of understanding modernism in the context of the history of modern propaganda, Modernism, Media, and Propaganda also helps explain the origins of today's highly propagandized world. Modernism, Media, and Propaganda integrates new archival research with fresh interpretations of British fiction and film to provide a comprehensive cultural history of the relationship between modernism and propaganda in Britain during the first half of the twentieth century. From works by Joseph Conrad to propaganda films by Alfred Hitchcock and Orson Welles, Mark Wollaeger traces the transition from literary to cinematic propaganda while offering compelling close readings of major fiction by Virginia Woolf, Ford Madox Ford, and James Joyce.

With respect to style and narrative technique, the three books are
indistinguishable. ... propagandize even as he wrote propaganda grounded in
impressionist technique, Ford betrays a deeper connection between modernism
and propaganda.

Propaganda, the Press and Conflict

The Gulf War and Kosovo

An incisive analysis of the use of the press for propaganda purposes during conflicts, using the first Gulf War and the intervention in Kosovo as case studies. As the contemporary analysis of propaganda during conflict has tended to focus considerably upon visual and instant media coverage, this book redresses the imbalance and contributes to the growing discourse on the role of the press in modern warfare. Through an innovative comparative analysis of press treatment of the two conflicts it reveals the existence of five consistent propaganda themes: portrayal of the leader figure, portrayal of the enemy, military threat, threat to international stability and technological warfare. As these themes construct a fluid model for the analysis and understanding of propaganda content in the press during conflicts involving British forces, they also provide the background against which the author can discuss general issues regarding propaganda. Amongst the issues which have become increasingly relevant to both recent academic debate and popular culture, the author tackles the role of the journalist in war coverage, the place of the press in a news market dominated by 'instant' visual media and the effectiveness of propaganda in specific cultural and political context. This book will appeal to advanced students and researchers in war studies, media studies/propaganda and psychology.

The existing discussion has often focused upon a theoretical analysis of
propaganda techniques, illustrated by relevant examples. Alternatively, broad
discussions of con ̄icts through a given period have been created. The object of
this ...

Propaganda Techniques Using Words

Doublespeak, Buzzword, Weasel Word, Newspeak, Code Word, Ideograph, Loaded Language, Glittering Generality

Propaganda

""Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country." - Edward Bernays, Propaganda A seminal and controversial figure in the history of political thought and public relations, Edward Bernays, was a pioneer in the scientific technique of manipulating public opinion. A technique he famously dubbed the "engineering of consent." But it was during World War I, that he became an integral part of the U.S. Committee on Public Information, a shadowy but powerful propaganda apparatus which was mobilized to prepare, advertise and sell the great war to the American people. So they did it with the message "Make the World Safe for Democracy." This operation would become the defacto standard in which marketing strategies for future wars would be based upon.

" - Edward Bernays, Propaganda A seminal and controversial figure in the history of political thought and public relations, Edward Bernays, was a pioneer in the scientific technique of manipulating public opinion.

British Techniques of Public Relations and Propaganda for Mobilizing East and Central Africa During World War II

Techniques and Objectives of Soviet Pictorial Propaganda about the United States, 1945-1952

Pursuing our investigation within our self- prescribed boundaries of periodicals,
the five years between 1945 to the first months of 1952, we must further develop
a technique. 1 . Technique To achieve a precise means of describing the
contents ...

The Problem of International Propaganda

A New Technique Necessary in Developing Understanding Between Nations; an Address

Selected Propaganda Techniques in German and British Official Documents During the Early Months of World War II.