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Hemispheric American Studies

This landmark collection brings together a range of exciting new comparative work in the burgeoning field of hemispheric studies. Scholars working in the fields of Latin American studies, Asian American studies, American studies, American literature, African Diaspora studies, and comparative literature address the urgent question of how scholars might reframe disciplinary boundaries within the broad area of what is generally called American studies. The essays take as their starting points such questions as: What happens to American literary, political, historical, and cultural studies if we recognize the interdependency of nation-state developments throughout all the Americas? What happens if we recognize the nation as historically evolving and contingent rather than already formed? Finally, what happens if the "fixed" borders of a nation are recognized not only as historically produced political constructs but also as component parts of a deeper, more multilayered series of national and indigenous histories? With essays that examine stamps, cartoons, novels, film, art, music, travel documents, and governmental publications, Hemispheric American Studies seeks to excavate the complex cultural history of texts and discourses across the ever-changing and stratified geopolitical and cultural fields that collectively comprise the American hemisphere. This collection promises to chart new directions in American literary and cultural studies.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Hemispheric
American studies / edited by Caroline F. Levander and Robert S. Levine. p. cm.
Includes bibliographical references and index. ISBN 978-0-8135- 222-5 ...

Conspiracy and Romance

Studies in Brockden Brown, Cooper, Hawthorne, and Melville

Robert Levine examines the American romance in a new historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the Republic and the Civil War. With convincing historical and literary detail, Levine shows that anxieties about foreign elements--French revolutionaries, secret societies, Catholic immigrants, African slaves--are central to the fictional worlds of Brockden Brown, Cooper, Hawthorne and Melville. Ormond, The Bravo, The Blithedale Romance, and Benito Cereno are persuasively explicated by Levine to demonstrate that the romance dramatized the same conflicts and ideals that gave rise to the American Republic. Americans conceived "America" as a historical romance, and their romances dramatize the historical conditions of the culture. The fear that reputed conspiracies would subvert the order and integrity of the new nation were recurrent and widespread; Levine illuminates the influence of such fears on the works of major romance writers during this period.

Villainy and Vulnerability in Charles Brockden Brown's Ormond We are
frequently in most danger when we deem ourselves most safe, and our fortress is
taken sometimes through a point, whose weakness nothing, it should seem, but
the blindest stupidity, could overlook. Brown, Memoirs ofCarwin Charles
Brockden Brown's novels abound with mysterious villains who for a variety of
reasons have fled Europe and emigrated to America. Wanderers in the shifting
terrain of his fiction, they ...