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Bret Easton Ellis's American Psycho

A Reader's Guide

This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

150—51) This clearly takes place on a different linguistic plane from the insipid
everyday narration of other scenes. It too is characterized by what is called
parataxis, or in other words the refusal of the prose to construct complex
sentence ...

Krležologija, ili, Povijest kritičke misli o Miroslavu Krleži: Književnoznanstvena metoda i literatura o Krleži, 1964-1981

Myth and Symbol: Critical Approaches and Applications

Critical Approaches Frye: The Road of Excess Knights: King Lear as Metaphor Kushner: The Critical Method of Gaston Bachelard Gershman: Surrealism: Myth and Reality Applications The Writer and His Method Winner: Myth as a Device in the Works of Chekhov Nothnagle: Myth in the Poetic Creation of Agrippa D'Aubigne Campbell: The Transformation of Biblical Myth: MacLeish's Use of the Adam and Job Stories Hiller: The Symbolism of Gestus in Brecht's Drama Sr. Joselyn: Animal Imagery in Katherine Anne Porter's Fiction The Work Examined--Archetypes and Interpretations LaGuardia: Chastity, Regeneration, and World Order in All's Well that Ends Well Jones: Immortality in Two of Milton's Elegies Dougherty: Of Ruskin's Gardens Kern: Myth and Symbol in Criticism of Faulkner's "The Bear" Welliver: The De Vulgari Eloquentia and Dante's Quasi After-Life Vickery: The Golden Bough: Impact and Archetype

A wise approach to his method of literary criticism might be for us to reflect upon
this title, with its bold linking of a famous method of mental therapy and of the
name of a phenomenon of nature which is also the most versatile of all symbols.

Lacan, Discourse, Event: New Psychoanalytic Approaches to Textual Indeterminacy

Lacan, Discourse, Event: New Psychoanalytic Approaches to Textual Indeterminacy is an introduction to the emerging field of Lacanian Discourse Analysis. It includes key papers that lay the foundations for this research, and worked examples from analysts working with a range of different texts. The editors Ian Parker and David Pavón-Cuéllar begin with an introduction which reviews the key themes in discourse analysis and the problems faced by researchers in that field of work including an overview of the development of discourse analysis in different disciplines (psychology, sociology, cultural studies and political and social theory). They also set out the conceptual and methodological principles of Lacan's work insofar as it applies to the field of discourse. Ian Parker and David Pavón-Cuéllar have divided the book into three main sections. The first section comprises previously published papers, some not yet available in English, which set out the foundations for 'Lacanian Discourse Analysis'. The chapters establish the first lines of research, and illustrate how Lacanian psychoanalysis is transformed into a distinctive approach to interpreting text when it is taken out of the clinical domain. The second and third parts of the book comprise commissioned papers in which leading researchers from across the social sciences, from the English-speaking world and from continental Europe and Latin America, show how Lacanian Discourse Analysis works in practice. Lacan, Discourse, Event: New Psychoanalytic Approaches to Textual Indeterminacy is intended to be a definitive volume bringing together writing from the leaders in the field of Lacanian Discourse Analysis working in the English-speaking world and in countries where Lacanian psychoanalysis is part of mainstream clinical practice and social theory. It will be of particular interest to psychoanalysts of different traditions, to post-graduate and undergraduate researchers in psycho-social studies, cultural studies, sociology and social anthropology.

amethod«. that mightbe applied to texts. Incommon with much discourse analysis
, the notion that there should be a fixed method or grid for reading text is
anathema to Lacanian psychoanalysis. Neither does Lacanian psychoanalysis
treat as ...

Zora Neale Hurston's Their Eyes Were Watching God

A Casebook

The rediscovery of Zora Neale Hurston's Their Eyes Were Watching God, first published in 1937 but subsequently out-of-print for decades, marks one of the most dramatic chapters in African-American literature and Women's Studies. Its popularity owes much to the lyricism of the prose, the pitch-perfect rendition of black vernacular English, and the memorable characters--most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century, this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues of language and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.

While this subject demands a full-length study, I can summarize its salient
aspects here. The debate about the register of the black voice assumed two
poles. By the end of the Civil War, the first pole of the debate, the value of the
representation ...

Behind the Great Wall

A Post-Jungian Approach to Kafkaesque Literature

This work explores what lies behind the fantastic barrier in a borderland that C. G. Jung called the unconscious, the avant-garde writer Kafka termed incomprehensive, and Whitlark argues is an entire spectrum of muted awareness.

... transformation, and process: it is Mind (the subject pole of experience), not
Matter (the object pole), that gives the perceived world a polymorphous character
.93 For the Idealist tradition of Kafka's parables and Ellison's Invisible Man,
however ...