Sebanyak 147 item atau buku ditemukan

Leonid Leonov

A Critical Study

... short story "Bobok." What is more important, Maniukin is purported to be Mit'
ka's father. The clue is given to us in two ways. Mit'ka's brother, or half brother,
Leontii, tells him about it: "It's so many years since we've seen each other, Mitri,
48.

Kamus istilah sastra

Indonesian dictionary of literary terms.

D. lihat: tokoh utama protasis U. lihat: eksposisi psikologi sastra U. pendekatan
sastra yang bertolak dari psikologi yang dapat men- cakupi: 1 kajian psikologi
pengarang yang berupaya mengelom- pokkan tipe dan kepribadian pengarang,
 ...

Catatan Kesepian Seorang Penyair Di Kota Seoul

Dan 45 Esai Lainnya

Buku ini merupakan kumpulan esai tentang persoalan-persoalan yang menyangkut perkembangan perpuisian kontemporer, pemikiran kesusastraan, pendidikan sastra, kehidupan kebudayaan, dan impresi-impresi kemanusiaan. Dari lebih seratus esai yang ditulis antara 1990-2011, empat puluh enam esai dipilih dan dimasukkan ke dalam buku ini, digolongkan berdasarkan temanya ke dalam enam bagian.

Buku ini merupakan kumpulan esai tentang persoalan-persoalan yang menyangkut perkembangan perpuisian kontemporer, pemikiran kesusastraan, pendidikan sastra, kehidupan kebudayaan, dan impresi-impresi kemanusiaan.

The Arabic Role in Medieval Literary History

A Forgotten Heritage

Arabic culture was a central and shaping phenomenon in medieval Europe, yet its influence on medieval literature has been ignored or marginalized for the last two centuries. In this ground-breaking book, now returned to print with a new afterword by the author, María Rosa Menocal argues that major modifications of the medieval canon and its literary history are necessary. Menocal reviews the Arabic cultural presence in a variety of key settings, including the courts of William of Aquitaine and Frederick II, the universities in London, Paris, and Bologna, and Cluny under Peter the Venerable, and she examines how our perception of specific texts including the courtly love lyric and the works of Dante and Boccaccio would be altered by an acknowledgment of the Arabic cultural component.

Even if this were an apocryphal and gross exaggeration serving to emphasize
the barbarity of the Christians from the Arab chronicler's point of view, we have
little reason to assume that the courts of Provence of the late eleventh century
were ...

An Introduction to the History of Modern Arabic Literature in Egypt

By J. Brugman

THE BEGINNINGS OF LITERARY HISTORY As has been stated above, the first
awareness of a history of Arabic ... ancient Arab philologists, who did impose a
certain periodization upon Arabic literature, but according to non-literary criteria.

Stalking the Subject

Modernism and the Animal

Human and animal subjectivity converge in a historically unprecedented way within modernism, as evolutionary theory, imperialism, antirationalism, and psychoanalysis all grapple with the place of the human in relation to the animal. Drawing on the thought of Jacques Derrida and Georges Bataille, Carrie Rohman outlines the complex philosophical and ethical stakes involved in theorizing the animal in humanism, including the difficulty in determining an ontological place for the animal, the question of animal consciousness and language, and the paradoxical status of the human as both a primate body and a "human" mind abstracting itself from the physical and material world. Rohman then turns to the work of Joseph Conrad, D. H. Lawrence, H. G. Wells, and Djuna Barnes, authors who were deeply invested in the relationship between animality and identity. The Island of Dr. Moreau embodies a Darwinian nightmare of the evolutionary continuum; The Croquet Player thematizes the dialectic between evolutionary theory and psychoanalysis; and Women in Love, St. Mawr, and Nightwood all refuse to project animality onto others, inverting the traditional humanist position by valuing animal consciousness. A novel treatment of the animal in literature, Stalking the Subject provides vital perspective on modernism's most compelling intellectual and philosophical issues.

Rohman then turns to the work of Joseph Conrad, D. H. Lawrence, H. G. Wells, and Djuna Barnes, authors who were deeply invested in the relationship between animality and identity.

A Practical Introduction to the History of English

Aquesta 'Introducció Pràctica de la Història de l'anglés' ha estat dissenyada per satisfer les demandes de la nova filosofia de l'Espai Europeu d'Educació Superior als programes del Grau on s'estudia l'anglès com a llengua estrangera. Concebut com una introducció per a la fascinant matèria de 'Història lingüística de l'anglès', aquest llibre pretén introduir el desenvolupament de l'anglès d'una manera concreta. El manual proporciona la formació teòrica necessària que explica els canvis bàsics en la història de la llengua anglesa i inclou activitats i exàmens al final de cada secció on els estudiants poden posar en pràctica el que han llegit, après o sobre el que han reflexionat. Per tant, als estudiants se'ls ofereix l'oportunitat de practicar el que han llegit i après a través de les seves pròpies exploracions.

What we call 'English' is the sum of a number of social and geographical varieties
. ... Traditionally, and probably for practical reasons, such as language teaching,
local varieties have not been the focus of linguistic study. It becomes apparent ...

Bret Easton Ellis's American Psycho

A Reader's Guide

This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

150—51) This clearly takes place on a different linguistic plane from the insipid
everyday narration of other scenes. It too is characterized by what is called
parataxis, or in other words the refusal of the prose to construct complex
sentence ...