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Translation

Theory and Practice, Tension and Interdependence

This book is a collection of articles which highlight the fact that good translation theory is based on information gained from practice. At the same time, good practice is based on carefully worked-out theory. The two are interdependent. The authors who have contributed are persons who know the importance of both theory and practice and the tension between the two. They are not only translators but also have long experience in training others. The articles cover a wide variety of topics grouped in five sections. The first presents four graphic descriptions of what happens when one translates. The second looks at aspects of the application of theory from the backgrounds of European and Asian translation practices. The third has excellent articles which apply theory to the fields of poetry, opera, drama, and humor. The fourth section provides four ways of putting theory into practice. The fifth gives language specific examples and the last section deals with the application of theory and practice to teaching in an academic context.

MARILYN GADDIS ROSE When we translate at our peak pace—cheerily
keyboarding some congenial source-language text into our native language—the
translation process may seem nearly automatic. We insert a nice compact disk
into our ...

Translation Changes Everything

Theory and Practice

In Translation Changes Everything leading theorist Lawrence Venuti gathers fourteen of his incisive essays since 2000. The selection sketches the trajectory of his thinking about translation while engaging with the main trends in research and commentary. The issues covered include basic concepts like equivalence, retranslation, and reader reception; sociological topics like the impact of translations in the academy and the global cultural economy; and philosophical problems such as the translator’s unconscious and translation ethics. Every essay presents case studies that include Venuti’s own translation projects, illuminating the connections between theoretical concepts and verbal choices. The texts, drawn from a broad variety of languages, are both humanistic and pragmatic, encompassing such forms as poems and novels, religious and philosophical works, travel guidebooks and advertisements. The discussions all explore practical applications, whether writing, publishing, reviewing, teaching or studying translations. Venuti’s aim is to conceive of translation as an interpretive act with far-reaching social effects, at once enabled and constrained by specific cultural situations. This latest chapter in his developing work is essential reading for translators and students of translation alike.

TRANSLATING. DERRIDA. ON. TRANSLATION. Relevance. and. disciplinary.
resistance. The unique and the exemplary This is the story of my struggle as an
English-language translator and student of translation who questions its
continuing ...

Translation and Linguistic Hybridity

Constructing World-View

This volume outlines a new approach to the study of linguistic hybridity and its translation in cross-cultural writing. By building on concepts from narratology, cognitive poetics, stylistics, and film studies, it explores how linguistic hybridity contributes to the reader’s construction of the textual agents’ world-view and how it can be exploited in order to encourage the reader to empathise with one world-view rather than another and, consequently, how translation shifts in linguistic hybridity can affect the world-view that the reader constructs. Linguistic hybridity is a hallmark of cross-cultural texts such as postcolonial, migrant and travel writing as source and target language come into contact not only during the process of writing these texts, but also often in the (fictional or non-fictional) story-world. Hence, translation is frequently not only the medium, but also the object of representation. By focussing on the relation between medium and object of representation, the book complements existing research that so far has neglected this aspect. The book thus not only contributes to current scholarly debates – within and beyond the discipline of translation studies – concerned with cross-cultural writing and linguistic hybridity, but also adds to the growing body of translation studies research concerned with questions of voice and point of view.

Translating. Language,. Translating. Perception. This chapter will investigate how
the TT erasure or addition of linguistic hybridity on the level of text can have an
impact on the perspective from which the narrated events are perceived and how
 ...

Translation, Humour and the Media

Translation and Humour

Translation studies and humour studies are disciplines that have been long established but have seldom been looked at in conjunction. This volume looks at the intersection of the two disciplines as found in the media -- on television, in film and in print. From American cable drama to Japanese television this collection shows the range and insight of contemporary cross-disciplinary approaches to humour and translation. Featuring a diverse and global range of contributors, this is a unique addition to existing literature in translation studies and it will appeal to a wide cross-section of scholars and postgraduates.

Translating. Humour. in. the. Media. Delia Chiaro While being quite independent
from its preceding companion volume, Translation, Humour and Literature, the
present book aims at completing the reader's journey across the eld of humour ...

Translation, Translation

Translation Translation contributes to current debate on the question of translation dealt with in an interdisciplinary perspective, with implications not only of a theoretical order but also of the didactic and the practical orders. In the context of globalization the question of translation is fundamental for education and responds to new community needs with reference to Europe and more extensively to the international world. In its most obvious sense translation concerns verbal texts and their relations among different languages. However, to remain within the sphere of verbal signs, languages consist of a plurality of different languages that also relate to each other through translation processes. Moreover, translation occurs between verbal languages and nonverbal languages and among nonverbal languages without necessarily involving verbal languages. Thus far the allusion is to translation processes within the sphere ofanthroposemiosis. But translation occurs among signs and the signs implicated are those of the semiosic sphere in its totality, which are not exclusively signs of the linguistic-verbal order. Beyond anthroposemiosis, translation is a fact of life and invests the entire biosphere or biosemiosphere, as clearly evidenced by research in “biosemiotics”, for where there is life there are signs, and where there are signs or semiosic processes there is translation, indeed semiosic processes are translation processes. According to this approach reflection on translation obviously cannot be restricted to the domain of linguistics but must necessarily involve semiotics, the general science or theory of signs. In this theoretical framework essays have been included not only from major translation experts, but also from researchers working in different areas, in addition to semiotics and linguistics, also philosophy, literary criticism, cultural studies, gender studies, biology, and the medical sciences. All scholars work on problems of translation in the light of their own special competencies and interests.

Translating from the Interstices Paolo Bartoloni The privileging of fmite products.
the original and the printed translation, seems to go right against the very nature
of translation which is intrinsically fluid, under way. What l concern myself with ...

Translation Theory in the Age of Louis XIV

The 1683 De Optimo Genere Interpretandi (on the Best Kind of Translating) of Pierre Daniel Huet (1630-1721)

Preeminent in a relatively rare category of separate early modern treatises on translation, the 1683 De optimo genere interpretandi by the polymath cleric Pierre-Daniel Huet (1630-1721) offers a concise introduction to its nature, history, theory, process and practice. Written in the form of a Ciceronian dialogue, On the best kind of translating not only represents Huet's acute and witty defence of the often disparaged literal or word for word model, but also provides illuminating glimpses into the critical and interpretive methods of his age. A guiding premise of this first modern edition and annotated translation of Huet's entire treatise is that, now as then, translation theory and practice are complementaries. Consistent also with this premise is the conscious attempt by DeLater to apply Huet's literal translation model at every stage in the process of producing this annotated translation of his treatise. Among the topics treated in Huet's work are: (1) a definition of translation and its relationship to interpretation; (2) adaptation of translation aims and methods to the subject matter of the original; (3) the translating and glossing of idioms, proverbs, metaphors, puns and ambiguities; (4) translators' priorities, from sense and words to the elusive quality that makes a translation seem an original work; and (5) translation as an independent theoretical discipline. In addition to providing an introduction to Huet's life and works as well as explanatory glosses for his copious sources and various topics in the DOGI, the present work also supplies links between Huet's work and that of current theorists and critics in the field of translation studies.

In addition, there are translators«, publishers«, or others« prefaces to many of
these translations, although present-day scholars ofEuropean translationhistory
must often takesomecare tocomparethe precepts or general remarkson
translating ...

Literature as Translation/Translation as Literature

Broadly conceived, literature consists of aesthetic and cultural processes that can be thought of as forms of translation. By the same token, translation requires the sort of creative or interpretive understanding usually associated with literature. Literature as Translation/Translation as Literature explores a number of themes centred on this shared identity of literature and translation as creative acts of interpretation and understanding. The metaphor or motif of translation is the touchstone of this volume, which looks at how an expanded idea of translation sheds light not just on features of literary composition and reception, but also on modes of intercultural communication at a time when the pressures of globalization threaten local cultures with extinction. The theory of ethical translation that has emerged in this context, which fosters the practice of preserving the foreignness of the text at the risk of its misunderstanding, bears relevance beyond current debates about world literature to the framing of contemporary social issues by dominant discourses like medicine, as one contributor’s study of the growing autism rights movement reveals. The systematizing imperatives of translation that forcibly assimilate the foreign to the familiar, like the systematizing imperatives of globalization, are resisted in acts of creative understanding in which the particular or different finds sanctuary. The overlooked role that the foreign word plays in the discourses that constitute subjectivity and national culture comes to light across the variegated concerns of this volume. Contributions range from case studies of the emancipatory role translation has played in various historical and cultural contexts to the study of specific literary works that understand their own aesthetic processes, and the interpretive and communicative processes of meaning more generally, as forms of translation. Several contributors – including the English translators of Roberto Bolaño and Hans Blumenberg – were prompted in their reflections on the creative and interpretive process of translation by their own accomplished work as translators. All are animated by the conviction that translation – whether regarded as the creative act of understanding of one culture by another; as the agent of political and social transformation; as the source of new truths in foreign linguistic environments and not just the bearer of established ones; or as the limit of conceptuality outlined in the silhouette of the untranslatable – is a creative cultural force of the first importance.

TRANSLATING. UNINTELLIGIBILITY. IN. SAMUEL. BECKETT'S. PLAY. JAMES.
GOURLEY. Of modern writers, Samuel Beckett stands out as the writer most
committed to fidelity in his creative practice. Beckett's oeuvre is characterised by ...

Principles of Translation

Translating. A general principle. If it be true, that we never deviate from the Latin
arrangement but when we are forced so to do, either by the meaning itself, by the
perspicuity of the expression, or by the harmony ; it thence follows, that we ought
 ...

Translation and Cultural Change

Studies in History, Norms, and Image Projection

History tells us that translation plays a part in the development of all cultures. Historical cases also show us repeatedly that translated works which had real social and cultural impact often bear little resemblance to the idealized concept of a 'good translation'. Since the perception and reception of translated works — as well as the translation norms which are established through contest and/or consensus — reflect the concerns, preferences and aspirations of their host cultures, they are never static or homogenous even within a given culture. This book is dedicated to exploring some of the factors in the interplay of culture and translation, with an emphasis on translation activities outside the Anglo-European tradition, particularly in China and Japan.

Translating. the. concept. of. 'identity'. Eva Richter and Bailin Song City University
of New York Introduction In 1987 author Eva Richter was teaching at Hebei
Teacher's University in Shi- jiazhuang, China, and reading a somewhat abstruse
 ...

Children's Literature in Translation

Challenges and Strategies

Children's classics from Alice in Wonderland to the works of Astrid Lindgren, Roald Dahl, J.K. Rowling and Philip Pullman are now generally recognized as literary achievements that from a translator's point of view are no less demanding than 'serious' (adult) literature. This volume attempts to explore the various challenges posed by the translation of children's literature and at the same time highlight some of the strategies that translators can and do follow when facing these challenges. A variety of translation theories and concepts are put to critical use, including Even-Zohar's polysystem theory, Toury's concept of norms, Venuti's views on foreignizing and domesticating translations and on the translator's (in)visibility, and Chesterman's prototypical approach. Topics include the ethics of translating for children, the importance of child(hood) images, the 'revelation' of the translator in prefaces, the role of translated children's books in the establishment of literary canons, the status of translations in the former East Germany; questions of taboo and censorship in the translation of adolescent novels, the collision of norms in different translations of a Swedish children's classic, the handling of 'cultural intertextuality' in the Spanish translations of contemporary British fantasy books, strategies for translating cultural markers such as juvenile expressions, functional shifts caused by different translation strategies dealing with character names, and complex translation strategies used in dealing with the dual audience in Hans Christian Andersen's fairy tales and in Salman Rushdie's Haroun and the Sea of Stories.

Translating may be defined as rereading and rewriting for target-language
audiences, which makes translations uniquely different from their originals: every
time texts are translated they take on a new language, a new culture, new
readers, ...