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Canadian National Cinema

Ideology, Difference and Representation

Canadian National Cinema explores the idea of the nation across Canada's film history, from early films of colonisation and white settlement such as The Wheatfields of Canada and Back to God's Country, to recent films like Nô, LE Confessional Mon Oncle Antoine, Grey Fox, Highway 61, Kanehsatake, and I've Heard the Mermaids Singing.

Fatimah Tobing Rony uses Claude Lévi-Strauss's bipolar paradigm of
ethnographiable or historifiable cultural anthropology to define ethnographic
cinema in her book The Third Eye: Race, Cinema and Ethnographic Spectacle (
1996, 6– 7).