
Canadian National Cinema
Ideology, Difference and Representation
Canadian National Cinema explores the idea of the nation across Canada's film history, from early films of colonisation and white settlement such as The Wheatfields of Canada and Back to God's Country, to recent films like Nô, LE Confessional Mon Oncle Antoine, Grey Fox, Highway 61, Kanehsatake, and I've Heard the Mermaids Singing.
- ISBN 13 : 0415142814
- ISBN 10 : 9780415142816
- Judul : Canadian National Cinema
- Sub Judul : Ideology, Difference and Representation
- Pengarang : Christopher E. Gittings,
- Kategori : Performing Arts
- Penerbit : Psychology Press
- Bahasa : en
- Tahun : 2002
- Halaman : 338
- Halaman : 338
- Google Book : http://books.google.co.id/books?id=OnW8Z-jG-A0C&dq=inauthor:e.+fatimah&hl=&source=gbs_api
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Ketersediaan :
Fatimah Tobing Rony uses Claude Lévi-Strauss's bipolar paradigm of
ethnographiable or historifiable cultural anthropology to define ethnographic
cinema in her book The Third Eye: Race, Cinema and Ethnographic Spectacle (
1996, 6– 7).