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ART CONTEMPORAIN ET PLURALISME

Nouvelles perspectives

De toute évidence l'art est aujourd'hui pluriel. Et de ce constat découlent différents problèmes. D'abord, la question de la création artistique et de ses rapports avec les critères du jugement esthétique, avec l'espace de la communication et la réceptivité sociale de l'art. Ensuite, la question de l'éducation et de la transmission des œuvres et des techniques. Enfin, celle du rôle des institutions, marché et État, dans leurs rapports complexes avec associations, fondations et institutions muséographiques.

De toute évidence l'art est aujourd'hui pluriel. Et de ce constat découlent différents problèmes.

Sejarah perkembangan arsitektur kota Islam Banten

suatu kajian arsitektural kota lama Banten menjelang abad XVI sampai dengan abad XX

Pada saat mengakhiri penghujung abad XVI Masehi, Banten telah berkembang
menjadi suatu pusat budaya tinggi (tamaddun) Islam yang berwibawa di Asia
Tenggara. Salah satu unsur dominan dalam tamaddun itu adalah kehadiran dan
berkembangnya arsitek- tur. Menurut • beberapa ahli, arsitektur yang menjadi
lanmark geografis kota-kota Islam, adalah : a. bangunan-bangunan arsitektur
Islam (Jurji Zaydan, t.t); b. bangunan dan arsitektur Islam dengan perhatian
khusus pada ...

Rock & Roll Jihad

A Muslim Rock Star's Revolution

"The story you are about to read is the story of a light-bringer....Salman Ahmad inspires me to reach always for the greatest heights and never to fear....Know that his story is a part of our history." -- Melissa Etheridge, from the Introduction With 30 million record sales under his belt, and with fans including Bono and Al Gore, Pakistanborn Salman Ahmad is renowned for being the first rock & roll star to destroy the wall that divides the West and the Muslim world. Rock & Roll Jihad is the story of his incredible journey. Facing down angry mullahs and oppressive dictators who wanted all music to be banned from the Islamic Republic of Pakistan, Salman Ahmad rocketed to the top of the music charts, bringing Westernstyle rock and pop to Pakistani teenagers for the first time. His band Junoon became the U2 of Asia, a sufi - rock group that broke boundaries and sold a record number of albums. But Salman's story began in New York, where he spent his teen years learning to play guitar, listening to Led Zeppelin, hanging out at rock clubs and Beatles Fests, making American friends, and dreaming of rock-star fame. That dream seemed destined to die when his family returned to Pakistan and Salman was forced to follow the strictures of a newly religious -- and stratified -- society. He finished medical school, met his soul mate, and watched his beloved funkytown of Lahore transform with the rest of Pakistan under the rule of Zia into a fundamentalist dictatorship: morality police arrested couples holding hands in public, Little House on the Prairie and Live Aid were banned from television broadcasts, and Kalashnikovs and rocket launchers proliferated on college campuses via the Afghani resistance to Soviet occupation in the north. Undeterred, the teenage Salman created his own underground jihad: his mission was to bring his beloved rock music to an enthusiastic new audience in South Asia and beyond. He started a traveling guitar club that met in private Lahore spaces, mixing Urdu love poems with Casio synthesizers, tablas with Fender Stratocasters, and ragas with power chords, eventually joining his first pop band, Vital Signs. Later, he founded Junoon, South Asia's biggest rock band, which was followed to every corner of the world by a loyal legion of fans called Junoonis. As his music climbed the charts, Salman found himself the target of religious fanatics and power-mad politicians desperate to take him and his band down. But in the center of a new generation of young Pakistanis who go to mosques as well as McDonald's, whose religion gives them compassion for and not fear of the West, and who see modern music as a "rainbow bridge" that links their lives to the rest of the world, nothing could stop Salman's star from rising. Today, Salman continues to play music and is also a UNAIDS Goodwill Ambassador, traveling the world as a spokesperson and using the lessons he learned as a musical pioneer to help heal the wounds between East and West -- lessons he shares in this illuminating memoir.

My song and video “Al-Vida” (Farewell), about a Pakistani woman's fight against
HIV/AIDS, helped shine a light on women and HIV/AIDS in Pakistan and in the
desi diaspora. The “Al-Vida” video reached number one on MTV Desi's charts in
2006. But there's still a lot of work to be done in a region where there's great
stigma and discrimination associated with the virus and the disease. In
September 2006 I had the good fortune to meet a peace-mongering Queens
College history ...

Conflict and Cooperation on South Asia's International Rivers

A Legal Perspective

'Conflict and Cooperation on South Asia's International Rivers' traces the development of international water law. This book focuses on the hydro-politics of four countries in the South Asia region: Bangladesh, India, Nepal, and Pakistan. It analyzes the problems that these countries have encountered as riparians of international rivers and how they have addressed these problems. In particular, this study reviews the treaty regimes governing the Indus River basin, the Ganges River basin, and the Kosi, Gandaki, and Mahakali river basins. Each of these regimes is described in-depth, with special attention devoted to the main problems each of these treaties sought to address. The authors also review the treaty experience and offer observations on bilateralism and multilateralism.

... with no substitute, and over which there is total dependency, has heightened
both conflict and cooperation over a large number of international rivers.2 In
some areas of the world, the competing demands of states 1 An international
river is one either flowing through the territory of two or more states (also referred
to as a successive river), or one separating the territory of two states from one
another (also referred to as a boundary river or a contiguous river). See, A. H.
Garretson, et al., ...

The Enchantress of Florence

A Novel

A tall, yellow-haired, young European traveler calling himself “Mogor dell’Amore,” the Mughal of Love, arrives at the court of the Emperor Akbar, lord of the great Mughal empire, with a tale to tell that begins to obsess the imperial capital, a tale about a mysterious woman, a great beauty believed to possess powers of enchantment and sorcery, and her impossible journey to the far-off city of Florence. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man’s world. It is the story of two cities, unknown to each other, at the height of their powers–the hedonistic Mughal capital, in which the brilliant Akbar the Great wrestles daily with questions of belief, desire, and the treachery of his sons, and the equally sensual city of Florence during the High Renaissance, where Niccolò Machiavelli takes a starring role as he learns, the hard way, about the true brutality of power. Vivid, gripping, irreverent, bawdy, profoundly moving, and completely absorbing, The Enchantress of Florence is a dazzling book full of wonders by one of the world’s most important living writers. From the Hardcover edition.

His captors pretended to have difficulty with his name, al-ghazi, the conqueror,
they called him for a joke, or al-khali, the empty one, the vessel. But his name
wasn't important. Argalia, Arcalia, Arqalia, Al-Khaliya. Nonsense words. They
didn't matter. It was his soul that had to be placed under new management just
like everyone else's. On the parade ground in their new outfits the sullen children
stood in ranks before In the children's prison camp at Uskiib (said the memory ...