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Latin Place Names Found in the Imprints of Books Printed Before 1801 and Their Vernacular Equivalents in AACR2 (Anglo-American Cataloguing Rules) Form

The Bibliographic Standards Committee (BSC) of the Rare Books and Manuscripts Section (RBMS) within the Association of College and Research Libraries presents the RBMS/BSC Latin Place Names File database. The database contains Latin place names found in the imprints of books printed before 1801 and their vernacular equivalents in Anglo-American Cataloguing Rules (AACR2) form.

The Bibliographic Standards Committee (BSC) of the Rare Books and Manuscripts Section (RBMS) within the Association of College and Research Libraries presents the RBMS/BSC Latin Place Names File database.

Anglo-American Cataloguing Rules (II) and CCC (5)

(a Comparative Study)

This is a comparative study of the rules for choice (decision/selection) and rendering (form) of personal and corporate headings for the construction of the main entry specified in the Anglo-American catologuing rule, 2nd edition(AACR2) and the classified catalogue code (CCC) prepared by S.R. Ranganathan.

This is a comparative study of the rules for choice (decision/selection) and rendering (form) of personal and corporate headings for the construction of the main entry specified in the Anglo-American catologuing rule, 2nd edition(AACR2) and ...

Anglo-American Encounters

England and the Rise of American Literature

This study seeks to clarify an extraordinary half-decade in the rise of American literature.

Anglo-American Exchange in Postwar Sculpture, 1945–1975

Anglo-American Exchange in Postwar Sculpture, 1945-1975 redresses an important art historical oversight. Histories of American and British sculpture are usually told separately, with artists and their work divided by nationality; yet such boundaries obscure a vibrant exchange of ideas, individuals, and aesthetic influences. In reality, the postwar art world saw dynamic interactions between British and American sculptors, critics, curators, teachers, and institutions. Using works of art as points of departure, this book explores the international movement of people, objects, and ideas, demonstrating the importance of Anglo-American exchange to the history of postwar sculpture.

The goal was to gather a number of scholarly inquiries that were inspired by
British or American artists, artworks, or art mar- kets, while also attending to the
ways in which art and ideas circulated between the two countries—through
physical ...